![]() We were interested in group potential and creating monstrous power in music. It was very difficult to get that sort of improvisation on record. ![]() We did a tour and recorded the "Larks' Tongues in Aspic" album. ![]() He had very fastidious and tight sort of habits. He was very much concerned with logic and function, he always worked his solos out before playing them. I think I was a wee bit too much for him, simply because I was so involved in improvisation. And that was fine, he seemed to me to be a very good band leader. Fripp was definitely the boss, there's no question about it. When we rehearsed, we thrashed about and tried to make things work in an improvisational way in the studio. Fripp was open and believed very much in getting disparate musical elements together, a mixture to produce interesting music, although this was difficult to hold together as the history of King Crimson would suggest. They were rather upset with me for leaving, actually.King Crimson were the only really famous band I'd been in. I was rehearsing with Alan Gowen and others at the time. I think it was Richard Williams from Melody Maker who suggested me to him. Muir reveals: "Robert Fripp was looking for a new band and I got a 'phone call from him.
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